Pyotr Tchaikovsky
Modest Mussorgsky
Giacomo Puccini
César Cui. Igor Stravinsky
Gioachino Rossini
Francesco Cilea
Richard Wagner
Richard Strauss
Gaetano Donizetti
Nikolai Rimsky-Korsakov
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Pyotr Tchaikovsky
Georges Bizet
Gioacchino Rossini
Alexander Ostrovsky, music by Pyotr Tchaikovsky
Wolfgang Amadeus Mozart
Umberto Giordano
Richard Strauss
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Ruggero Leoncavallo
Andrei Rubtsov
Dimitry Rostovsky
Wolfgang Amadeus Mozart
Alexei Verstovsky
Giuseppe Verdi
Anton Rubinstein
Benjamin Britten. Camille Saint-Saëns
Mieczysław Weinberg
Sergei Banevich
Modest Mussorgsky
Grigory Frid. Udo Zimmermann
Wolfgang Amadeus Mozart
Georg Philipp Telemann
Sergei Prokofiev
Giuseppe Verdi
Sergei Prokofiev. Maurice Ravel
Dmitry Shostakovich
Tatiana Kamysheva
Georges Bizet
Giacomo Puccini
Jacques Offenbach
Nikolai Rimsky-Korsakov
Dmitry Shostakovich
Hector Berlioz
Nikolai Rimsky-Korsakov
The premiere of the one-act opera by Richard Strauss Salome took place at the Royal Opera Theatre of Dresden on the 9th of December 1905. It was performed under the leadership of conductor Ernst von Schuch by the orchestra, that was enlarged to one hundred and twenty musicians, and excellent cast, amongst which were famous Wagnerian singers Marie Wittich (Salome), Karel Burian (Herodes) and Karl Perron (Jochanaan). The author considered it to be an outstanding performance.
A scandalous reputation of the play by Oscar Wilde (1891), which became the foundation of the libretto, written by the composer himself, fuelled interest in the new opera even further. By 1906, Salome had appeared on the stages of sixteen European opera theatres, including Leipzig, Cologne, Milan, Turin… A year later – in New York, Paris, Amsterdam and Brussels. The Austrian premiere, held in 1906 in Graz under the direction of the author, gathered the best representatives of the music world: in the auditorium amongst other important names were Gustav Mahler, Giacomo Puccini, Arnold Schoenberg and Alban Berg.
Premiered on February 25, 2021.
Coproduction with Metropolitan Opera.
Libretto by the composer after the play of the same name by Oscar Wilde in Hedwig Lachmann’ translation
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Thursday, 19:00
Wednesday, 19:00
Tuesday, 19:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Narraboth and his men describe the beauty of the Princess Salome, who lives together with her mother Herodias in the house of her stepfather, the ruler Herod. Again and again, Salome hears the voice of Jokanaan. He prophecizes the overthrow of the existing order.
Salome is attracted by his voice and by the things he says. She demands to see Jokanaan and to speak with him. She is allowedto see him - against all the instructions. He speaks to her, and he also speaks to her stepfather, who fears him, and to her mother, who ridicules him. He continues his attack on Salome's parents, and his voice penetrates the isolated structure consisting of father, mother and child.