Pyotr Tchaikovsky
Modest Mussorgsky
Giacomo Puccini
César Cui. Igor Stravinsky
Gioachino Rossini
Francesco Cilea
Richard Wagner
Richard Strauss
Gaetano Donizetti
Nikolai Rimsky-Korsakov
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Pyotr Tchaikovsky
Georges Bizet
Gioacchino Rossini
Alexander Ostrovsky, music by Pyotr Tchaikovsky
Wolfgang Amadeus Mozart
Umberto Giordano
Richard Strauss
Wolfgang Amadeus Mozart
Pyotr Tchaikovsky
Ruggero Leoncavallo
Andrei Rubtsov
Dimitry Rostovsky
Wolfgang Amadeus Mozart
Alexei Verstovsky
Giuseppe Verdi
Anton Rubinstein
Benjamin Britten. Camille Saint-Saëns
Mieczysław Weinberg
Sergei Banevich
Modest Mussorgsky
Grigory Frid. Udo Zimmermann
Wolfgang Amadeus Mozart
Georg Philipp Telemann
Sergei Prokofiev
Giuseppe Verdi
Sergei Prokofiev. Maurice Ravel
Dmitry Shostakovich
Tatiana Kamysheva
Georges Bizet
Giacomo Puccini
Jacques Offenbach
Nikolai Rimsky-Korsakov
Dmitry Shostakovich
Hector Berlioz
Nikolai Rimsky-Korsakov
The premiere took place at the Teatro Regio in Turin on the 1st of February 1896. It was conducted by the young Arturo Toscanini that evening. Its critical merit was far from obvious: critics scolded the opera for a “silly” and vulgar “non-operatic” plot. However, ordinary audiences fell in love with it: every premiere performance was sold out.
After the start in Turin, La Bohème won city after city: Buenos Aires – Rome – Moscow – London – Berlin – New York. In France, where it was given for the first time in June 1898 on the stage of the Opéra Comique, the opera created a genuine sensation. Claude Debussy, a master of the finest sound works, admitted that he knew “nobody who could have described Paris of the time better than Puccini did in La Bohème.
Premiered on July 24, 2018.
Presented with one interval.
Libretto by Giuseppe Giacosa and Luigi Illica based on Henry Murger’s novel Scenes de la Vie de Bohème
Bolshoi Theatre Children’s Choir
Saturday, 14:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 14:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Saturday, 14:00
Friday, 19:00
Thursday, 19:00
Wednesday, 19:00
Sunday, 19:00
Saturday, 19:00
Friday, 19:00
Thursday, 19:00
Scene I
A Garret
In an unheated garret Marcello, an artist, is working on his canvas “Crossing the Red Sea”. He has difficulty holding his brush because the cold has so cramped his fingers. His friend, the poet Rodolfo, enviously looks at the smoke emerging from the smokestacks of the well-heated Parisian houses. Marcello sadly muses over his flighty and unfaithful girl-friend Musetta. Rodolfo turns down Marcello’s offer to fire the stove with his unfinished “Red Sea” and decides to sacrifice the first act of his drama rather than break up the chair for this purpose.
Another friend, the philosopher Colline, returns with a bundle of books that he wanted to sell, but since this is Christmas eve the stores were closed. His bad mood is dispelled by the warmth of the heated stove.