Хлоя Лэмфорд


Chloe trained in Theatre Design at Wimbledon School of Art.

Awards Include: Arts Foundation Fellowship Award for Design for Performance in Set & Costume, Theatrical Management Association Award for Best Theatre Design (Small Miracle).

Chloe is an Associate Designer for the Royal Court Theatre where work includes: Unreachable, Ophelia’s Zimmer, The Twits, How to Hold Your Breath, God Bless the Child, 2071, Teh Internet is Serious Business and Circle Mirror Transformation.
Designs for theatre include: Victory Condition & B (The Royal Court), 1984, (Broadway, Australia), Road (The Royal Court) Our Ladies of Perpetual Succour (West End), The Maids (Toneelgroep, Amsterdam); Amadeus, Rules for Living, The World of Extreme Happiness (National Theatre), 1984 (West End/Headlong/Almeida UK and International Tour), Atmen and Ophelias Zimmer (Schaubühne, Berlin), Our Ladies of Perpetual Succour (National Theatre Scotland), The Tempest (Donmar Warehouse), Het Hamilton Complex (Hetpaleis, Antwerp), Salt, Root and Roe (Donmar Warehouse), The Events (ATC and Young Vic), The History Boys (Sheffield Crucible), Disco Pigs and Sus (Young Vic), My Shrinking Life, Appointment with the Wicker Man, Knives in Hens (National Theatre Scotland), Praxis Makes Perfect, The Radicalisation of Bradley Manning (National Theatre Wales), Boys (Headlong Theatre), Cannibals and The Gate Keeper (Manchester Royal Exchange), The History Boys (Sheffield Crucible); It Felt Empty… (Clean Break), Small Miracle (Tricycle/ Mercury, Colchester).

Designs for opera and dance include: Miranda (Opera Comique), Pelleas et Melisande and Alcina (Aix en Provence Festival), Verkarte Nacht (Rambert), The Little Sweep and Let's Make An Opera (Malmo Opera House, Sweden), The Magic Flute (English Touring Opera), War and Peace (Scottish Opera/ RCS).