Cesare Pugni
La Fille du Pharaon
Ballet in Three Acts
DVD
Release – 2004

La Fille du Pharaon

Choreographer: Pierre Lacotte
Casting
Svetlana Zakharova - Aspicia
Sergei Filin - Lord Wilson/Taor
Maria Alexandrova - Ramze
Gennadi Yanin - John Bull/Passiphonte

Producer - Francois Duplat, General producer of Bel Air Media
Film director - Denis Kaiozzi

Bel Air media, the French recording company, which specializes in filming operas and ballets, occupies a leading position in the world market for video-recordings of music classics. In 2003, the Bolshoi Theatre was added to the imposing list of the world’s greatest theatres, whose productions have been immortalized by Bel Air media recordings.

The famous ballet, La Fille du Pharaon - the ‘daughter’ of two Frenchmen (La Fille du Pharaonwas produced in the mid 19th century by Marius Petipa and in the year 2000, it was reconstructed by Pierre Lacotte specially for the Bolshoi Theatre), was filmed during the course of three performances. The filming was done from six vantage points to obtain a panoramic picture. The state-of-the-art cameras used ensured superb image quality. Excerpts from the La Fille du Pharaon DVD were ‘advertised’ in TV programs and immediately aroused widespread interest.
Dmitry Shostakovich
Bolt

Ballet in two acts
DVD
Release - 2007
Duration - 145 minutes

Bolt

Choreographer: Alexei Ratmansky
Designer: Semyon Pastukh
Conductor: Pavel Sorokin

Casting
Nastya - Anastasia Yatsenko
Yan - Andrei Merkuriev
Denis - Denis Savin
Ivashka - Morikhiro Ivata

Producer - Francois Duplat, General producer of Bel Air Media
Film Director - Vincent Bataillon

Bolt film is accompanied by four interviews with: Alexei Ratmansky, Semyon Pastukh, Pavel Sorokin and family members of the author of the libretto, the late Viktor Smirnov; and also by a short documentary by Edgardo Kozarinsky, Avant-garde and kitsch, which introduces the viewer into the context of the age in which the music was written and the first version of the ballet produced (Kozarinsky is a French film director of Argentine origin, who is also the author of a film about how Shostakovich saved an unfinished opera by a student of his, Veniamin Fleischman, who was killed in the 2nd World War).

Once doesn't count. Let us start off by examining these additional materials which come with the first film version of the ballet. They have a twofold aim: without revealing the ballet’s intrinsic secrets, they plunge us into the historical context of the age in which it was made.

In Avant-garde and kitsch, it takes Edgardo two minutes, with the help of shots from the films New Babylon (1929), Alone (1930), Golden Mountains (1931), to resurrect Shostakovich's productive and valuable work in cinema. Unfortunately, in so far as concerns his work for the stage, the censor was on his tail in a flash. In a socialist realist kingdom, with its solemn marches and parades to the glory of the common efforts, how could he have chosen an insolent drunk - in other words a saboteur - as his main character?

Shostakovich's ballet was banned immediately after its first performance on 8 April 1931. In the interviews accompanying the film: Alexei Ratmansky defends his vision of contemporary choreography, as demonstrated in this marvelous Bolshoi Theatre production (September 2006); Semyon Pastukh presents his 'anti-ballet' sets in constructivist spirit, brought to life by Stalinist propaganda (and perhaps by the spirit of the megapolis itself?); and at the same time the widow and son of librettist Viktor Smirnov tell the story of how they were gradually pushed to one side.

The ballet's music is both serious and popular at one and the same time. Fyodor Lopukhov, the author of the original choreography for the ballet, tried to ‘accommodate’ it between classical (or semi-classical) and character (or semi-character) dance. The proletarian ideologists considered this approach to be superficial, maintaining that true ballet reform should assist mime to rise to the top rungs of the theatrical hierarchy and, at the same time, increase its emotional load. Lopukhov's attempts to mix ballet with sport, acrobatics or the circus were regarded as a doubtful practice which the spectator would find off-putting.

Today, happily, without any reservations we can endorse Ratmansky's inventive, rhythmic creation (filmed by Vincent Bataillon), the first scene of which - a collective session at the gym - reveals all the absurdity of the totalitarian system.

Pavel Sorokin, under whose baton the orchestra gave a clean-cut and balanced performance of the music, delivers us a real lecture, depicting in detail what lay hidden behind this chain of komsomol parades, Red Army marches and other buffonade, and bringing out all the irony in this much recommended satire.

Laurent Bernache
(from Bel Air Media site)

Aram Khachaturyan
Spartacus
Ballet in three acts
DVD
2008

Spartacus

Choreography: Yuri Grigorovich

Casting:
Spartacus — Carlos Acosta
Crassus — Alexander Volchkov
Aegina — Maria Allash
Phrygia — Nina Kaptsova

Soloists and Corps de Ballet of the Bolshoi Theatre of Russia

Orchestre Colonne
Conductor: Pavel Klinichev

Film director — Ross MacGibbon

Co-produced by Bel Air Media, Bolshoi Theatre of Russia In association with France 2, BBC and Decca Music Group with the support of Centre National de la Cinematographie

“Carlos Acosta ... brings to the slave-leader a physical power and emotional veracity that recall those great first interpreters, Vladimir Vasiliev and Mikhail Lavrovsky, and, latterly, Irek Mukhamedov, who was the only other interpreter I thought matched them in nobility and muscular prowess. Acosta is of their prodigious number. A leap is an affirmation of faith. Steps burn the air. Introspective moments — Spartacus tortured by doubt — tell of an inner life. Here is Grigorovich’s creation made real, and the ballet thus made real too, for an age when the inner justifications of the ballet are gone, with much else of Soviet artistic ideology”.

Clement Crisp
Financial Times

Boris Asafiev
The Flames of Paris
Ballet in two acts
DVD/Blu-Ray
2010

The Flames of Paris

Choreography: Alexei Ratmansky
with use of the original choreography by Vasily Vainonen
Scenographers: Ilya Utkin, Evgeny Monakhov
Conductor: Pavel Sorokin

Casting:
Jeanne — Natalia Osipova
Jerome — Denis Savin
Philippe — Ivan Vasiliev
M. de Beauregard — Yuri Klevtsov
Adeline — Nina Kaptsova
Mireille de Poitiers — Anna Antonicheva
Antoine Mistral — Ruslan Skvortsov

Film Director: Vincent Bataillon

In Memoriam of the Great French Revolution. World Premiere Recording at the Bolshoi Ballet in DVD and Blu-ray. The Flames of Paris belongs to the pearls of the pure classics of classical dance.
Produced in the 30’s of the last century The Flames of Paris on a music by Boris Asafiev was presented on the eve of the anniversary of the October Revolution, and later continued to be included in the ranks of works which were always brought out for an airing on anniversaries of this sort. And this is hardly surprising, The Flames of Paris is about the conflagration of the great French Revolution. And it had a new ’hero’ type which, up to then, had not been encountered in ballet — one of its main characters was the populace, revolutionary in mood and ready for action.
The choreographer Alexei Ratmanky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.
The most talented soloists of the Bolshoi Ballet appear in this production as Natalia Osipova and Ivan Vasiliev or Denis Savin and Anna Antonicheva.
The Bolshoi Theatre Orchestra is conducted by Pavel Sorokin.

PRESS REVIEW
The Bolshoi Ballet : The Return of Grandeur — The Next Great Vasiliev. ‘’Among the dancers on board for this tour will be Ivan Vasiliev, who is something of a throwback to the old days of spectacularly heroic Bolshoi men.’’ DANCE MAGAZINE
Pyotr Tchaikovsky
The Nutcracker

Ballet in two acts
DVD/Blu-Ray
2011

The Nutcracker

Choreography: Yuri Grigorovich
Designer: Simon Virsaladze
Conductor: Pavel Klinichev

Casting:
Marie — Nina Kaptsova
The Nutcracker — Artem Ovcharenko
Drosselmeyer — Denis Savin
Mouse King — Pavel Dmitrichenko

Film Director: Vincent Bataillon

Masterpiece of classical dance this Nutcracker is a magical version of the score by Tchaikovsky filmed at the Bolshoi Theatre.
Till its première in Saint-Petersbourg in 1892, The Nutcracker is one of the most successful classical ballet and Tchaikovsky‘s score has become one of his most famous compositions.
Yuri Grigorovich deals with Hoffmann’s fantastic imagery and takes ideas from the Marius Petipa’ scenario : battle of the mice, snowflakes flurry, characters dances executed by little doll that came to life...
The most talented soloists of the Bolshoi Ballet appear in this production as Nina Kaptsova (Marie) and Artem Ovcharenko (the Nutcracker Prince) or Denis Savin (Drosselmeyer).
The Bolshoi Theatre Orchestra is conducted by Pavel Klinichev.
Adolphe Adam
Giselle
Ballet in two acts
DVD/Blu-Ray
2012

Giselle

Choreography: J. Coralli, J. Perrot & M. Petipa
New choreographic version: Yuri Grigorovich
Designer: Simon Virsaladze
Conductor: Pavel Klinichev

Casting:
Giselle — Svetlana Lunkina
Albrecht — Dmitry Gudanov
Hans — Vitaly Biktimirov
Myrtha — Maria Allash

Film Director: Vincent Bataillon

The Bolshoi Ballet troupe in Yuri Grigorovich’s version of the romantic masterpiece Giselle, at last available in High-Definition. First performed in 1841, Giselle was an immediate hit. With music by Adolphe Adam and a libretto by Théophile Gautier and Jules-Henri Vernoy de Saint-Georges, the ballet touches on the great romantic themes: local colour, a pastoral love affair doomed to end in tragedy, a plunge into fantasy and redemption through the power of love.
Learning that Albrecht, her beloved, is in fact a nobleman engaged to be married to a princess, the naive peasant girl Giselle dies. The Queen of the Wilis—the spirits of deceased young virgins—decides that Albrecht should follow Giselle to the grave, and condemns him to dance until he dies of exhaustion. But Giselle’s spirit dances with him and saves him.
Composer Adolphe Adam owes his reputation to this archetypal, richly melodic romantic ballet. As Giselle Svetlana Lunkina is simply sensational. Her Albrecht is the iconically noble dancer Dmitri Gudanov. And the cast is perfectly rounded off by Maria Allash as the Queen of the Wilis.
The Bolshoi Theatre Orchestra is conducted by Pavel Klinichev.